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Beaverton Schools

ACMA DANCE

 

Jason Davis (Ballet Master)Jason Davis is a native of Tucson, Arizona, where he began his dance training with Mary-Beth Cabana at Ballet Arts. He attended numerous summer dance programs, including the Kirov Academy of Ballet (under the direction of Oleg Vinogradov), School of American Ballet, San Francisco Ballet School, Pacific Northwest Ballet School, and Ballet Aspen. He joined the Universal Ballet Academy (Kirov Academy) at age fifteen. In 1992 he entered the San Francisco Ballet School and after one year he joined the company. For eleven seasons Jason performed with SFB in many classic ballets as well as choreography originated by Mark Morris, Stanton Welch, Yuri Possokov, James Kudelka, William Forsythe, and Helgi Tomasson, among others. 

Jason has been teaching ballet for more than fifteen years and is licensed by the State of Oregon. He guest teaches on various faculties, including Boston Ballet School, Nevada Ballet Theatre, Vancouver Dance Theatre, Columbia Dance Ensemble, the Northwest Dance Project, and Repertory Ballet of New Mexico. Jason directs the Young Musicians and Artists Summer Program. Currently he is the ballet teacher at Arts and Communication Magnet Academy (ACMA) in Beaverton and is the assistant director for Dance West, ACMA’s pre-professional youth company. He is also on the faculty of the Northwest Dance Project. 

Jason enjoys setting and creating works for TPB and ACMA as well as creating works for the Oregon Symphony’s Kids Concerts. Jason has directed and choreographed productions for the Vancouver Dance Theatre, including the full-length Sleeping Beauty, Cinderella, Nutcracker, Swan Lake Act III, and Young Persons Guide to the Orchestra. 

 

Kemba Shannon (Modern/African) 

Kemba received her BFA from Towson State University and trained at the Alvin Ailey American Theater, Martha Graham School, The Edge, Lula Washington, Peridance, and Morgan State University. She has taught dance classes at UCLA, Loyola Marymount, El Camino College, Portland State University, and others. Kemba’s stage credits include The Lion King(LA cast), The Color Purple (Broadway cast), Zumanity (Cirque du Soleil), Aida, and FAME. Kemba’s ambition and drive have won her world recognition with musical icons such as Madonna (Drowned World Tour), P!nk (Try This World Tour), Celine Dion (Taking Chances World Tour), Rihanna (Nike RockStar World Tour), Kanye West, R. Kelly, and Fantasia to name a few. Her television credits include American Dreams (NBC), Oscars (Chicago Performance), MTV Music Awards (P!nk performance), the Emmys (Kristen Bell performance), World Music Awards (Kanye West and R. Kelly performances), NAACP Awards, and the Grammys. Kemba currently teaches at Arts Communication Magnet Academy in Beaverton, Oregon where she teaches dance to over 200 kids every day. She would like to thank her parents, teachers, and friends for believing in her. 

 

 

Randy Davis (Jazz/Modern/Tap) 

Texas born, Randy Andre’ Davis was raised in Germany and then Portland, Oregon. It was in Portland, Oregon that Randy began his dancing ‘career’ when he joined an experimental magnet program within the public school system. “Dancin’ Davis” hasn’t stopped! 

Randy has been seen in numerous Broadway shows and National tours throughout his career. One of his favorites was the colorful Broadway revival of “Guys & Dolls” with Peter Gallagher, Faith Prince, and Nathan Lane where he featured in the Crapshooter Ballet. In “Cats,” Randy performed the challenging and beloved role of Mistoffelles; Noodler the Pirate in Cathy Rigby’s “Peter Pan.” Essential as Dance Captain, Randy assisted in the Broadway production of “All Shook Up.” When theater history was made by the opening of “Harlem Song” at the famed Apollo Theatre, Randy Davis’ name was among the select actors chosen to appear. 

In addition to his skills as a dancer, singer and actor, Randy is known for his choreography work. He assisted in the restaging of the National Tour of “All Shook Up” and became the Children’s Director and Stager for the National Tour of “Whistle Down the Wind.” In Japan, Randy choreographed the “Japanese Musical Review” for one of Tokyo’s theaters. Across the country, Randy’s choreography has been in demand by numerous upscale dance studios for the restaging of “Guys & Dolls,” “All Shook Up,” as well as numerous other musicals. 

On his first visit to the White House, Randy performed a tap solo at the request of the White House after having seen Randy’s performance in “Hot Mikado.” The second visit was a part of Black History Month celebrations. Randy and the cast of “Harlem Song” were invited to visit and perform in honor of the history of both the show’s content and the Apollo Theatre.